Anything Goes.

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averyirregularhead:

I first laid eyes on June Carter when I was 18, on a Dyess High School senior class trip to the Grand Ole Opry.  I’d liked what I heard of her on the radio, and I really liked what I saw of her from the balcony at the Ryman Auditorium.  She was great.  She was gorgeous.  She was a star.  I was smitten, seriously so.  The next time I saw her was 6 years later, again at the Opry, but this time backstage because by then I was a performer too.  I walked over to her and came right out with it: “You and I are going to get married someday.”  June is formidable; she’s my solid rock.  She’s my spark plug.  When there are people to talk to and my shyness is welling up, she holds my hand.  June always sees that I’ve got the right thing to eat, if I’ll agree to eat it.  She likes the same kind of movies I do, and the same kind of TV shows.  She’s got charm, she’s got brains, she’s got style, she’s got class.  She’s silver, she’s gold, she’s got jewelry, she’s got furniture, she’s got china….she’s got a black belt in shopping.  She’s a vital performer, and it’s vital for me to have her on my concerts.  I just don’t want to travel if she can’t come with me.  She almost always does.  She’s my life’s companion, and she’s a sweet companion.  She and I have become so very close, so intimate.  Whenever I face a professional decision, I always put it to her because I know she’ll be both objective and honest.  She’s never judgmental.  She’s become everything that wife should be, in my mind.  We sleep together, we pray together, we travel together, we work together, and we’ve both found our particular place where we totally belong in every avenue of endeavor.  —Johnny Cash, From “Cash: The Autobiography”

They really did have a PERFECT relationship. Their love story has always touched me more than any other.

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kawaicandy:

How do you reign in the character’s eccentricity ? Well, I had to be prepared to let people dislike her at times because she’s a bit of a bitch, but at the same time, she’s gorgeous and she’s funny and she’s silly and you sort of feel for her. You kind of sense her confusion about who she is and her life. She’s very, very vulnerable, I think, underneath all of that stuff. I just had to work very, very hard. Sometimes I would say to Michel, “Let me know if I’m not going enough. Let me know if I’m going too far.” And more often than not, he would be pushing me further. I was so terrified of being over the top and he would just say, “No, no, no. More, more, more.” And I’d be like, “Really ?” He’d go, “Yeah, it doesn’t matter. Just do it, just try it.” That was fantastically liberating. When you do classical period films, you don’t get the opportunity to do that. It’s a more subtle approach.